
Carmen
Opera's most infamous wild woman, Carmen, turns momma's boy Don José into a fugitive. Then she dumps him for a handsome bullfighter. Carmen was a woman ahead of her time. The 1875 premiere of Bizet's masterwork sent shockwaves through decent society who were unaccustomed to independent, honest, and uncompromising heroines. She also sends shock waves through the young soldier Don José, who is driven to murder by her flirtation, passion and manipulation.
An Opera in Four Acts
Music by Georges Bizet
Libretto by Henri Meilhac & Ludovic Halevy
based on the novel by Propser Mérimée
Sung in French with English surtitles
There will be two 15-minute intermissions
April 25 & 26, 2025 | 7:00pm
Church of the Redeemer
5603 North Charles Street
Baltimore, MD 21210
Join us at 6pm for a pre-performance lecture by Maestro James Harp.
Entry to the lecture is free with a ticket to the performance.

SYNOPSIS
Act I - Mid-day, a square in Seville. A young woman, Micaëla, enters looking for a corporal, Don José. The soldiers tell her he will be coming shortly. She excuses herself and runs off. Soon, Don José arrives with the guard and is told a young woman was searching for him. Now Zuniga, the lieutenant, understands why Don José is not interested in the women who work in the factory. A bell sounds and the cigarette girls come out to chat with each other. Carmen enters last. She teases and taunts the men with her philosophy of love, turning away from all of them. She gives a rose to the man who has caught her eye, Don José. As the girls run off, Micaëla enters looking for Don José. She gives him a letter from his mother and tells him that his mother forgives him. He promises her that he will return home, and gives her a kiss to deliver to his mother. As she leaves, a scream is heard and the women run from the factory into the square. Carmen is brought out and half of the women accuse her of stabbing Manuelita while the others accuse Manuelita of starting the fight. Carmen refues to answer Zuniga's questions, so he orders her arrest. She is left under the watch of Don José. She seduces him into helping her escape and tells him to join her later at Lillas Pastia's tavern.
Act II - The Tavern of Lillas Pastia. Carmen entices everyone with the joys of a smuggler's life. Zuniga tells Carmen that Don José has been released. A crowd outside announces the arrival of Escamillo, the victorious toreador. Escamillo describes the excitement of the bullfight and he tells Carmen he will see her soon and leaves with his adoring fans. The smugglers try to persuade Carmen to join in their next exploit, but she prefers to wait for Don José. They chastise her for her folly, but are surprised when he approaches. As they leave, they tell her to persuade him to join their venture. Don José is again seduced by Carmen, but is pulled away by the sound of his regiment's trumpet. Carmen mocks him for his weakness, but he pleads with her saying that the flower she tossed him he had kept in prison to strengthen his hope of seeing her again. Carmen argues that if he truly loves her, he would leave his post and join her and the smugglers. Zuniga returns for Carmen. He ridicules José and commands him to return to the guard. Enraged, Don José challenges him to fight while Carmen screams for help. After Zuniga is dealt with, Don José has no choice but to join the smugglers.
Act III - In the Mountains. The smugglers have reached a mountain pass where they must wait for a clear passage before proceeding. Although Don José has given up everything for Carmen, she has tired of him. The women pass along but all she sees is death. Dancaïro returns with news that guards are blocking the road. The women leave to deal with the guards and Don José is left as lookout. Micaëla arrives, looking for Don José. She hides when she hears a shot. Escamillo has come looking for Carmen and he is stopped by Don José. Jealousy rages in Don José and the two men draw weapons. Don José gains the upper hand, but is stopped by Carmen and the others. Escamillo is grateful and invites them to his next bullfight. Micaëla is discovered and pleads with Don José to return home. Carmen cynically tells him to return home like a good boy. Don José refuses but Micaëla tells him that his mother is dying. Defeated, he goes with her.
Act IV - Outside the Bullring. Everyone awaits the triumphal return of Escamillo. When the procession is over, everyone enters the ring preparing for the battle. Only Don José remains to confront Carmen with one final plea. When she refuses him again, his anger engulfs him. He vows that if he cannot have her, no man will. He kills her as the crowd cheers for the toreador.
CAST
Chrystal E. Williams
Carmen
Victor Starsky
Don José
Gustavo Feulien
Escamillo
Colleen Daly
Micaëla
Nina Evelyn
Frasquita
Joseph Richwine
Morales/Dancaïro
Samual Keeler
Remendado
Steven White
Conductor
James Harp
Director
Hannah Wardell
Mercedes
Christian Simmons
Zuniga
CHORUS
Keegan Brush
James Carpenter
Mercy Calhoun-Dion
Valérie Filloux
Jason Gonzalez
Grace Hebeisen
Hakeem Henderson
Henry Hubbard
Claire Iverson
Timothy Kjer
Isabel Marcus
Lindsey Paradise
Michael Pistorio
Rachel Sitomer
Erica Timmerman
Emma Webster
José Cueto
Celeste Blase
Jennifer Rende
Kirsten Walsh
Sara Nichols
David Drosinos
Fatma Daglar
Michael Hall
Philippe Brunet
James Martin
Barry Dove
Eileen Cornett
ORCHESTRA
Violin 1
Violin 2
Viola
Cello
Flute
Clarinet
Oboe
French Horn
Trumpet
Trombone
Percussion
Piano
James Harp
Kimberly Christie
Aaron Sherber
Alyssa Stanton
Tyler Bristow
Jason Buckwalter
April Forrer
Nic Berg
PRODUCTION STAFF
Director
Assistant Director
Stage Manager
Assistant Stage Manager
Lighting Designer
Production Coordinator
Costumer
Wigs & Make Up
ACKNOWLEDGEMENTS
Costumes provided by Annapolis Opera Company, Sharlene Clinton - Wardrobe Supervisor
Engagement of this event's opera performers is through the generosity of the Loretta Lee Ver Valen Endowment Fund for Leading Operatic Artists
Support for this production also comes
from these generous organizations:
The Baltimore Opera Company Foundation Fund
The S. James Campbell Fund
The Maryland State Arts Council

